Career Coaching & Personal Development Assignment

Career Coaching & Personal Development - Assignment Example The week’s lecture involved the use of questionnaire one of which had been prepared by our lecturer. The module highlighted Person-environment (P-E) fit theory of organizational behavior, which forms the basis for assessing and predicting our personality, determine our skills and our preferable careers. The first questionnaire was about scoring myself on my skill. We first filled a questionnaire followed by adding up our scores. I scored highest on People Skills, which suggested that I like carrying out activities such as management, guiding others, in addition to activities that require persuasiveness.These traits suggested that my preferable careers were management, as well as other jobs in the field of business. This was encouraging since I had never considered myself persuasive. These findings made me realize that I had more potential than I had previously thought and needed to be open-minded since I could do other jobs other than management. The next questionnaire was on Career Directions Indication, which was based on the model of John Holland in the form of a hexagon, depicting the six different personalities or themes, which include Realistic, Investigative, Artistic Social, Enterprising, and conventional. People who share the same personality prefer working together and have a specific work environment in which they perform best.   Holland’s model is based on Person-environment (P-E) fit theory and denotes the congruence, match, or connection between the personalities and environment. Understanding one's personality is important in that it helps one choose a career that provides the appropriate environment.  It was intriguing to learn that all individuals may be associated with this model of personality types and that one can fall in up to three of these themes. The model is hexagonal and the different personalities are arranged such that personality types that are neighbouring share some similarities while those lying oppositely diff er more. I eagerly completed the questionnaire and the results proposed that I fall into is ‘Enterprising’, ‘Social’ and ‘conventional’ themes. This was captivating since the three personality types lie adjacent to each other. Being in enterprising category meant that I prefer managerial and sales type of jobs, which is true.

20th Century Artist Assignment Example | Topics and Well Written Essays - 750 words

20th Century Artist - Assignment Example During the formative years of his life, he was influenced by the events of the firs world war as well as the Second World War. His artistic works entailed paintings akin to portraits of visualized images from his surroundings such as the pictures of naked people. The artist, as mentioned, is John Caplans. The profile of the artists is available on Wikipedia. The web address which has comprehensive and detailed information on the artists is Wikipedia. This is given by the link understated below: http://en.wikipedia.org/wiki/John_Coplans. Coplan was born in Britain. However, he later moved to the United States where he practiced his artistry. Like most artists his age, he was greatly influenced by the events that happened around his time of birth. Coplan later died in 2003. His date of death is recorded as August. The style o work of Coplan could be described as realistic. However, it is also evident that his work was also characterized by some form of narration. His work mainly consisted of paintings or portraits of bodies. The bodies he used in this case were of human beings. He majorly focused on creative paintings of naked human bodies. In as much as his works could have been described as being creative and real, their bore some sense of narration. In his artistic works, he attempted to offer explanations to some phenomena in the real world. In doing his artistic paintings, the primary medium that he used varied depending on the portrait he was working on. Theses materials included films and canvas against which he did in his paintings. In some aspects, his materials also included modern day materials used in art. For instance, he evidently used paint in his artistic work. The works of Coplan are vailable in many forums. They are usually played in different art forums too. For instance, they are preserved in Pasadena Art Museum where he used to work. In addition, his works are also available in the Akron Art Museum. Some of his works can also be

Indias Private Defence Companies

Indias Private Defence Companies Our endeavour must be to meet the twin imperatives of technological relevance and cost effective delivery. Given the expansion of our private sector, both in technical and financial terms, we are at the threshold of a future in which the private sector contributes to the national cause of high technology defence. There is need for a new institutional framework to involve the private sector, to ensure continuous dialogue as well as to provide incentives for risk taking. We should encourage substantial investment in production capabilities and also in defence related RDs.  [1]   Manmohan Singh, PM of India Introduction The history of involvement of private industry in defence production in India goes back to 1991  [2]  which was followed by government initiatives in 1998 to establish close interaction of MoD and services with the Confederation of Indian Industries (CII). The constitution of Group of Ministers  [3]   committee tasked to examine the Kargil debacle, the policy reforms implemented by the government since 2001  [4]  and the constitution of Kelkar committee in 2004  [5]  , were primarily aimed at overhauling the acquisition process and promoting indigenous development to achieve 70% defence requirements from indigenous sources by 2010. The major fall out of these was the Defence Procurement Procedures, DPP 2002, DPP 2004, DPP 2006 and DPP 2008  [6]  . The dramatic differences between technologies used in commercial and military systems in the past have narrowed down with the changing pace of the scientific innovation in the commercial sector especially in the fields of nano-technology, robotics, computer simulation, and stealth technology. As a result, military organizations in developed countries have turned to commercial sector for dual-use technologies and new breakthrough scientific discoveries especially with the decline in the defence spending in post Cold-War era for reasons economic as well as political. Emerging Private Sector In the last two decades, the Private Sector has expanded immensely  [7]  with the DPSUs outsourcing more than 30% and OFs outsourcing 80%. The private sector can produce much more efficiently in a much less time frame and hence their role in Indian defence industry cannot be underestimated despite their constraints. Various private sector companies have ventured into the defence sector and have been issued license by the government. These companies have already taken up production of defence equipment by entering into joint venture (JV) with many foreign companies. Some of these are  [8]  :- Mahindra Mahindra Ltd, New Delhi. Larsen Toubro Ltd, Mumbai. Max Aerospace Aviation Ltd, Mumbai. HBL Power Systems Ltd, Hyderabad. Ramoss India, New Delhi. Tata Motors Ltd, Mumbai. Alpha Phazotron Radar Equipment Systems Pvt Ltd, Bangalore EADSs helicopter subsidiary Eurocopter is associated with HAL since 1962, manufacturing more than 600 Alouette 3 and Lama (known as Cheetah and Chetak locally) helicopters. EADS has plans to set up pilot training facilities in India for the civil and military segments and plans to invest $7-8 billion ($9.5-11 billion) over the next 10 years. In Nov 2009, Mahindra Group created Mahindra Defence Systems in India  [9]  which is a JV with BAE Systems. Mahindra Group has simultaneously acquired majority stakes in two Australian defence companies, Aerostaff Australia and Gippsland Aeronautics, signalling its entry into the defence and aerospace business. Tata has entered into JV with AgustaWestland to assemble the AW119 in India. Honeywell Aerospace  [10]  , which provides integrated avionics, engines, systems and service products for the aerospace industry, is one example. The US Company has a design and development centre in India that it hopes to expand in the coming years. Airbus has set up the Airbus Engineering Centre India in Bangalore where local engineers help develop capabilities in modelling and simulation, covering areas such as flight management systems and aerodynamics, to help in the design and production of aircraft such as the A380 and the A350. It is also working with Indian IT firms such as CADES, HCL, Infosys, Quest and Satyam to offer support across various aircraft programmes. India has an inherent edge over several other nations because of higher skills and lower costs of production. This makes India an ideal contender for joint ventures. HAL has entered into joint ventures with many overseas aviation system companies to undertake design and development of new systems in India. Some of these are the BaeHAL, HAL Edgewood, HELBIT etc. Many other software and hardware giants involved in the aviation hardware and software development especially in the embedded and real time system domain have also established their facilities in Bangalore. Some of these are GE Intelligent Systems, Honeywell, etc. Given their rapid growth over the last decade, it is perhaps no surprise that Indian software companies such as HCL, Infosys, Infotech, Tata Consultancy Services and Wipro have been active in the aerospace industry for several years. Increasingly, they are benefiting from the engineering services outsourcing programmes. This will help India evolve from IT and low-end business process outsourcing work to high-end design services. Overseas companies view the Indian companies as long-term partners and not as mere suppliers/vendors  [11]  . Initiatives The initiatives undertaken by government towards promoting involvement of private sector industries towards high end defence requirements are:- Opening up of defence sector (in 2001) for 100% participation by Indian private sector and upto 26% FDI. Provision of the offset clause in DPP for any procurement from a foreign vendor beyond 300 crores. Introduction of a procurement clause Buy and Make (Indian).This clause is expected to create a positive impact on the private sector industry and could encourage formation of joint ventures or alliances for co-production with Indian companies. Issue of RFP to Indian private sector and the companies having a greater say in negotiations, in obtaining technology from foreign Original Equipment Manufacturers (OEM) as well as in co-production. Sharing of information on long term perspective plan with the Indian industry and the involvement of the domestic industry in acquisition planning. Funding RD cost to the extent of 80 per cent by the Government. Non starters Inspite of the various measures taken, there has been no remarkable change in the current state of indigenisation. Only a few of Indias top private sector companies are involved in certain small value defence contracts. It needs to be realised that the goal of self reliance would remain a pipe dream if it is to be achieved by just banking on public sector alone. The involvement of private sector is mandatory to harness the best technology available and reduce imports. Considering the measures taken over the last two decades, India presently is far from achieving the indigenous figure of 70%. Equipment worth $50 billion has been bought from foreign suppliers in the last decade with the expenditure likely to touch $100 billion in the coming decade. The reasons to these are:- A number of defence-industry seminars, conferences and exhibitions have been held in the recent years but old mindsets, complex procurement procedures and clout wielded by the public sector have been acting as major deterrents to any meaningful participation of the private sector. Inspite of policy reforms of 2001, at the Defence-Expo 2010 the foreign defence majors were still lined up to display their wares. Hence, the efficacy of the initiatives of 26% FDI needs to be given a relook. While we trust foreign suppliers (essentially because there are few alternatives) governed as they are by their respective national laws that have in-built sanction mechanisms to restrict supplies in various situations, we have not extended the same trust quotient to Indian Industry. As on date the private sector is at a distinct disadvantage as against OFs and DPSUs. The OFs and DPSUs have a non-competitive edge, because of its close proximity to the MoD. In all deals under TOT, default agency that receives the benefit is always a DPSU, even if a private sector company is better placed in terms of know-how to absorb the technology and the available infrastructure. The private sector is also inhibited by technical limitations primarily due to its late entry into the defence industry and needs to institutionalise joint ventures with established foreign defence majors. However, the FDI cap of 26% is an impediment. Way Ahead The role of the Department of Defence Production thus needs to be drastically retooled to evaluate Indias requirements not in a public sector context but a larger India paradigm. Essentially the initiatives needed are:- De-licensing. The licensing system needs to be given a relook or done away with for manufacturing of defence equipment by private companies except for very critical products. Foreign Direct Investment. FDI limits should be enhanced to 49% for all defence production with sensitive content and in non-sensitive areas raised to 76 or even 100 per cent. This would obviate the need for government to defray 80 per cent of the RD costs. Private Equity Participation Government must seriously consider private equity participation in the defence-related public sector to unlock their potential and maximise returns on sovereign investment over the decades Developmental Partners. During development phase suitable industrial entities needs to be identified to participate in the activity as developmental partners. Limited Series Production (LSP). After joint development, the industry partners needs to be co-opted for execution of LSP that can meet the service requirement. Bulk Production Bulk of production needs to be outsourced to private players in a phased manner over several years. This could ease the problem of available OFs and DPSUs while at the same time utilise the resources available in these public establishments. Spin-offs The spin-offs from the defence technology need to be exploited in the commercial domain by effecting required repackaging/modification. Marketing. Scope also exists for industry to seek potential market for these products in India/Abroad with due approvals. Also the collaboration of private companies needs to be exploited for marketing of the products. Tax benefits. The government needs to provide a level playing field to private industry in terms of excise and custom exemptions for imports of certain components to be utilised in defence equipment. Promoting Interactions. DRDO has been actively promoting private industries participation in its entire gamut of activities by regularly interacting with the interested players as well as with organizations such as CII, FICCI, ASOCHAM. DRDO has organized several DRDO-Industry meets to appraise industry veterans about opportunities awaiting them in Defence RD. This would defineitely help in exploiting the available expertise in industry. Sponsored Research. Government needs to look into orient the fresh brains in the IITs, NITs and other educational institutions in India towards RD of the projects in hand as well as perspective projects. This can be taken up through Sponsored Research as well as industrial consultancy. Public Private Partnership. There is a need to promote public private partnership as the public sector has excellent infrastructure, manufacturing facilities and a highly experienced task force. It will be a waste of national resources if these assets are duplicated by the private sector. The private sector, on the other hand, can bring in latest technology, managerial practices, marketing skills and financial management. Therefore, a well-blended fusion of both will result in synergising of their strengths through economies of scale and prove mutually beneficial. Joint Ventures. The Brahmos project, which is the governmental level collaboration between the GOI (Bharat) and Russia (Moscow), is one good example of implementing organisational level change. The same needs to be followed up in other projects in pipeline.

Free College Admissions Essays: I Can Make a Difference through Social Work :: College Admissions Essays

Social Work: I Can Make a Difference I am applying to (Name of School) for the Masters of Social Work program. My career goal is to work with underprivileged adolescents, especially those with a history of behavioral and emotional problems. I have significant background in this area; in addition to a full-time position with a recruitment firm, I am a relief counselor for this target group in a residential treatment setting. I want to complement this practical experience with specialized training in order to best serve these individuals. My desire for this profession springs from the troubles of my childhood. In my youth, I was a ward of the Commonwealth of Massachusetts--in essence, a foster child. Both of my birth parents abused me physically and emotionally, prompting the courts to permanently remove me from their power. I subsequently moved through a succession of foster homes and adolescent shelters. My high school years were therefore highly traumatic; I could not have survived them without the aid of the counselors and social workers that were so kind to me. Yet my problems did not end at the emotional level. I constantly battled financial difficulties in order to graduate high school and embark on a college career. I was essentially paying my way through college on minimum wage--a monumental task. My first two years of college proved quite difficult because of this. But I persevered, and achieved an overall G.P.A. of 3.5 during my final two years at school. I also dedicated much time to campus activities, in which I held a number of leadership positions. Today, I work with an international recruitment firm that allows me to travel through the United States and Europe. This has given me a sense of accomplishment and maturity, yet I feel a deep void in my life. I need to give back to the community that helped me so much. I know what it is like to be on the " receiving end" of social work--I was the one who stayed with foster families after the social workers had gone home. I am thus in a unique position to understand the conflicts within the hearts of troubled adolescents. I comprehend, for instance, the importance of such issues as trust.

The Birthday Party, a comedy of menace

â€Å"Comedy of menace† was a term first used to describe Harold Pinter's plays by the drama critic Irving Wardle. He borrowed the term from the subtitle of one of David Campton's plays, The Lunatic View: A Comedy of Menace. A comedy is a humorous play which contains variations on the elements of surprise, incongruity, conflict, repetitiveness, and the effect of opposite expectations and so on in order to amuse and make the audience laugh. A menace is something which threatens to cause harm, evil or injury which seems quite incompatible with the idea of a comedy. However, as The Birthday Party shows, it is quite possible for a playwright to create both humour and menace in the same play, and even at the same time, in order to produce certain effects and to transmit ideas to the audience. Comedy is present in The Birthday Party from the very first scene; it is a way of gently introducing the audience to the world which Pinter is trying to create. The humour is quite subtle at first, for example the exchange between Petey and Meg about whether Stanley is up or not plays on the words up and down: â€Å"Meg: â€Å"Is Stanley up yet? Petey: I don't know. Is he? Meg: I don't know. I haven't seen him down. Petey: Well then, he can't be up. Meg: Haven't you seen him down? â€Å". Although the repetitions in this short exchange will not make the audience burst out with laughter they can make them smile and the humour also lulls them into a sense of comfort. A joke with a similar effect is made through another short dialogue between Meg and Petey in which Meg continually asks who is having a baby with Petey insisting that she won't know her until finally saying it's â€Å"Lady Mary Splatt†, to which Meg replies anticlimactically â€Å"I don't know her†. This anticlimax as well as the incongruous name of the woman (we do not imagine a â€Å"Lady† having the surname â€Å"Splatt†) creates humour and again lulls the audience into a sense of peace and normality. As well as this we get a sense of Meg's stupidity, Petey's resignation to it and their relationship being unfruitful and routine from their humorous yet uninteresting dialogue. Indeed, half the reason what they say seems funny is because of how pointless it is. Thus, Pinter highlights the uselessness of Meg and Petey's conversation and in extension the uselessness of everyday small talk. The worrying thing for the audience about this comedy is that it evidences a kind of futility: Meg does notseem to have much of a life beyond these pointless conversations. Thus, while the humour of the dialogue lightens the tone of the scene it also poses a question on the passivity and futility of the lives of the characters and the lives of many people in general. Humour also serves to draw attention to the strangeness of Meg and Stanley's relationship. Indeed, Meg treats him like a child despite his being a man of thirty. We are made aware of the fact that Stanley is not a child when he comes on stage for the first time. Before this Meg's calling him â€Å"that boy† and trying to get him out of bed by calling â€Å"Stan! Stanny! Stan! I'm coming up to fetch you if you don't come down! I'm coming up! I'm going to count to three! One! Two! Three! † makes the audience think he must be a child. Thus when we see him for the first time the incompatibility between the reality and what we have been lead to believe creates humour. The inappropriateness of Meg's treatment of Stanley and his being a fully grown man also creates humour at other moments of the play, for example when she asks him if he â€Å"pa[id] a visit this morning† (went to the toilet). While Meg and Stanley's conversation has some comedic value it could also make the audience feel slightly uneasy, perhaps they will ask themselves why this woman of sixty treats a man of thirty like a boy and why he plays along with her at times. Their exchanges, for example, the dialogue revolving around Stanley calling Meg a â€Å"succulent old washing bag† and Meg's reaction to it, seeming to believe that it's a rude word is quite funny for the audience as again it highlights her silliness but makes their relationship even stranger as she speaks â€Å"coyly†: she does not only play a maternal role but is also somewhat flirtatious. Thus humour, while seeming quite light can have a deeper meaning and cover up something a lot more serious about a character and problems they may have. Likewise, Stanley's attempts at humour when talking to Lulu are a kind of proof of his social inadequacy. When she says that it's stuffy he replies â€Å"Stuffy? I disinfected the place this morning. † And when she talks about his getting under Meg's feet he says he â€Å"always stand[s] on the table when she sweeps the floor†. These two lines are both untrue and when saying them Stanley's aim seems to be to make a joke. However, they both fall flat with Lulu and we could also imagine with the audience. Consequently, comedy, or rather attempts at it, evidence Stanley's lack of social skills. Therefore humour can be a way to introduce the audience to characters and their relationships with each other, and also make the audience think about these characters and perhaps their problems while keeping them interested in the play itself. The parody of small talk also allows Pinter to pose questions to the audience about the futility of many of our lives. Comedy does not just appear alone in this play, humour often appears during a somewhat frightening scene in which characters menace another. Some of these scenes are power struggles between characters or scenes where one character asserts themselves over another. For example, in the scene where Stanley tells Meg about the wheelbarrow he is obviously trying to menace her with his repeated questions (â€Å"Do you know what? â€Å", â€Å"Have you heard the latest? â€Å", â€Å"And do you know what they've got in that van? † etc), the anonymous â€Å"they†, the imminence of â€Å"today† and his actions as he â€Å"advance[s] upon her†. Despite the menacing aspect of this scene the fact that what he is threatening her with is a wheelbarrow adds a slightly bizarre and humorous tone. Indeed, the audience could laugh at Meg, thinking only she could be afraid of a wheelbarrow. However, her reaction to the threats is quite strong as she becomes â€Å"breathless† and cries out â€Å"hoarsely†. She seems to be afraid of it because it's new and different, an example of human fear of the unknown, and also perhaps of being â€Å"taken away† as Stanley repeats twice â€Å"They're looking for someone†. Either way the humorous aspect of someone being afraid of a wheelbarrow heightens the menacing atmosphere for the audience as we don't understand her fear; if she was afraid of something more normal we would not feel so ill at ease. Thus in this scene, Pinter makes use of a comedic aspect with a menacing atmosphere in order to make the audience aware of our own fears of what we do not understand. Comedy and menace also appear together in both the first music hall scene and just before it. In the â€Å"sitting down scene†, a certain amount of humour can be derived from the fact that three grown men are playing a childish game about who will sit down first, but what this game represents is a power struggle. As with the wheelbarrow, this silly game is symbolic of something much more serious; here, the person who sits will lose power. This menacing part of the scene is shown by the insistence of Goldberg and McCann that Stanley sit down and McCann's yelling â€Å"That's a dirty trick! I'll kick the shite out of him†. Interestingly, Stanley seems to try to lighten the atmosphere with the joke (â€Å"Now you've both had a rest you can get out! ) which causes McCann to say this, but he only succeeds in heightening the tense and menacing atmosphere of the scene. Again, humour does not take away from the threat but adds to it, making it worse. The fact that Stanley's joke doesn't lighten the scene as he hoped can also show the inadequacies of language. Indeed, o ne would not expect a joke to create more threats and menace. Thus, through the pairing of humour with menace Pinter shows the audience how words do not always achieve the desired effects and therefore is evidence of our own shortfalls as we do not always accomplish what we would like to through our speech. However, Goldberg does achieve what he wants to with his use of comedy and threats. This is because he wants to create a more menacing scene in order to completely destroy Stanley. His humour comes from the common expressions that he sometimes modifies, such as â€Å"You're beginning to get on my breasts†, and the different registers of these expressions, for example he says â€Å"Why are you driving that old lady off her conk? † which seems very colloquial compared to his normal speech. He also makes an ironic joke when he says that McCann is â€Å"the life and soul of any party†, which is evidently false as the audience can tell that he isn't from how little he speaks. Goldberg's jokes contrast with the serious and controlling man who makes Stanley sit down simply by saying quietly â€Å"Webber. SIT DOWN†. Indeed, we feel more menaced by Goldberg than by McCann because as McCann has already yelled at Stanley we feel as though we know what he is capable of but we don't really know how much Goldberg can do with his power of speech. The power which comes from the paradoxical pairing of humour with menace can be seen in the first music hall scene and in the scene with Lulu. In the music hall scene, the fast pace of the short, nonsensical questions creates a sense of urgency and fear as we do not know what the point of all these questions is. While some of the questions and accusations seem serious, such as â€Å"Why did you leave the organisation? â€Å", others create humour such as, â€Å"When did you last have a bath† or â€Å"McCann: You throttled her. Goldberg: With arsenic†. At the end of the scene the question they are asking him is the well known joke: â€Å"Why did the chicken cross the road? â€Å". It is this question, one of the most unanswerable of all the ones they ask him that finally makes him break down; he can no longer answer. The fact that a joke question is one of the causes of Stanley's destruction shows the strength of humour. Indeed, Freud theorised that â€Å"[in] addition to the one who makes the joke, there must be a second [person] who is taken as the object of the hostile aggressiveness, and a third in whom the joke's aim of producing pleasure is fulfilled†. In this scene, Goldberg and McCann make the jokes to amuse the audience while Stanley is the victim. However, the audience does not really laugh at these jokes, in fact they serve more to make us uneasy, but we still recognise the humour in them and perhaps even appreciate it. The same three person structure is found in the scene where McCann menaces Lulu. In that scene, Lulu is the victim while McCann tells her â€Å"savagely† to confess while Goldberg creates humour by picking up everything she says and turning it against her. For example she says â€Å"You taught me things a girl shouldn't know before she's been married at least three times! , to which Goldberg replies â€Å"Now you're a jump ahead! What are you complaining about? â€Å". The audience will appreciate Goldberg's humour while also finding what Lulu herself says funny despite the fact that she is evidently upset and angry, as it says in the stage directions. This humour followed so quickly by McCann's threats will again make the audience uneasy. This uneasiness of the audience is partly caused by our finding Goldberg, and perhaps even McCann, funny when we feel perhaps that we shouldn't. By being amused by them we ally ourselves with them, the two characters who we know to be manipulative and controlling. Indeed, through their (Goldberg's especially) humour we are manipulated by them to laugh at the other characters. Thus, Pinter shows by placing comedic elements with menacing ones that humour can be powerful and creates relationships between us: relationships which have a strong element of control to them, as our feelings and reactions are manipulated by Goldberg, just like the other relationships which we see in the play. Therefore, we can say that Pinter's â€Å"comedy of menace† is a way to show us how he believes that all relationships revolve around one person asserting their power over another. The atmosphere of menace which is present in this play does not only appear in conjunction with humour. Instead it often relies on the unknown or things not being fully explained. For example, when Goldberg and McCann first arrive, they come through the back door without knocking, which is in itself quite odd, then Goldberg says he wasn't looking for a number when McCann asks him how he knows it's the right house. This is quite an eerie thing to say as the audience can ask themselves what he was looking for as normally you recognise a house by the number. Indeed, it is this abnormality and not knowing how Goldberg knew which house he wanted which creates a sense of a threat or that something bad will happen. This can show the audience how we feel a need for things to be â€Å"normal†, we fear things that we don't understand or that are new. Likewise, McCann's refusal to join Stanley in conversation at the beginning of the second act, giving short answers and asking little in return is really a refusal to make normal conversation. These short responses seem quite menacing because they contrast against Stanley's seemingly open discussion. The audience could believe that Stanley's trying to tempt McCann into conversing with him properly is not only to get information about why he is there but to also make McCann seem more normal and thus less menacing. Like the opening scene with its pointless dialogue this scene shows the human need for speech in order to keep the fear of a threat, in this case represented by McCann, at bay. Language is not the only menacing thing, there are also several small actions or events which add to the menacing atmosphere of the play: the synchronised whistling, McCann's tearing the newspaper into strips and the lights during the birthday party. None of these things should seem that menacing by themselves but the context in which they are placed makes them seem so. Two â€Å"strangers† whistling the same tune together while talking, a grown man sitting at a table tearing paper, a light being shone on a man at his own birthday party as though he is a police suspect and finally a blackout which makes Stanley become violent all seem abnormal and strange for the audience: we do not understand why they happen (except for the blackout, and then we only find out later). It is this not understanding and abnormality of the events which adds to the menacing atmosphere of the play. Therefore we can say that the threatening ambiance of the play is created through language, in particular humour and the unknown, but also through certain eerie and strange events or deeds. The reason Pinter uses these things to make the audience afraid is to show us our fear of what we do not know and the abnormal. However, Pinter makes sure that some of the menacing atmosphere is elevated at times, which actually emphasises how strong this atmosphere is. The threatening ambiance is lessened by the use of humour. This humour can be found in the first dialogue between Goldberg and McCann, for example, when McCann says that Goldberg, who is obviously a Jew, is a â€Å"true Christian†. There is also humour with the dialogue between Goldberg and Meg, after the first music hall scene, when he is admiring her dress and slaps her bottom, as well as before when he calls her a tulip and she asks â€Å"What colour? â€Å". Pinter uses comedy at these moments in the play in order to reassure the audience and to keep some suspense: if the whole length of the play was filled with a menacing atmosphere we would know that Stanley will lose the power struggle from the beginning. The humour also brings a certain level of normality back to the proceedings of the play so that the menacing atmosphere can increase slowly, again creating more suspense. Thus, I agree completely with the description of The Birthday Party as a â€Å"comedy of menace†. While comedy and menace both appear separately in the play it is together that they affect the audience most. The association of two seemingly opposing themes in one play allows the audience to realise some of Pinter's preoccupations concerning the inadequacy of language but also its power, how we have some irrational fears concerning the unknown and the abnormal, how relationships work through manipulation and power struggles and the passivity of so many people throughout their lives. As well as this, the fact that we can associate these two terms, finding something menacing yet humorous at the same time, could also be a way for Pinter to show the paradoxical nature of human beings.

Babel’s Internal Conflicts Essay

Babel’s collection of short stories Red Cavalry was one of the first books that exposed the Russian people to the harsh realities of the Polish-Soviet war. At first the stories seem to be historical fiction meant to entertain; however, upon closer reading these stories become pieces that convey strong moral, religious, political and emotional sentiment. Each short story represents a certain theme, but it is My First Goose that encompasses very well Babel’s feelings towards his own identity. The story illuminates the dynamic relationship between the insider and the outsider through careful use of imagery, tone, and imagery. More specifically, My First Goose addresses Babel’s conflicted sense of identity and self as a Jewish man. In My First Goose, as well as in many of Babel’s other works, the narrator is an ambiguous character that resembles the author (in what way? How do you we know this? ). Although very little information is given about the narrator, by the end of the story readers understand the narrator’s conflict with his identity (this sentence doesn’t really fit here; it is a bit off topic from the rest of the paragraph). The narrator is introduced as an outsider, one who is neither racially (is he a different race? ) nor physically equal to the men of the 6th Division. Savitsky, the first â€Å"insider† that is introduced (phrasing is stylistically awkward), is depicted as a extremely masculine figure whose â€Å"long legs looked like two girls were wedged to their shoulders in riding boots† and whose built body â€Å"split the hut like a banner splitting the sky†. The erotic (perhaps â€Å"erotically despicted/described/portrayed†) , masculine Cossack stands in stark contrast to the envious, feeble, timid, glasses wearing â€Å"powder puff†. Babel chooses to depict the ethnic other as virile and powerful while painting the narrator, a man whom he closely resembles, as a weak, almost effeminate, creature. The choice to do so indicates that the author cannot come to terms with his identity; rather he longs to be as strong and macho as the Cossacks. From the narrators exchange with Savitsky, â€Å"Ha, you lousy fellow, you! They send you to us, no one even asks us if we want you here! † it is suggested that the narrator is an outsider, an intellectual with traits associated with Jews. And even when verbally assaulted the narrator still â€Å"envied the flower and iron of Savitsky’s [that] youth†. Moreover, it is the portrayals of the obvious difference in strength, sexuality, and confidence between the narrator and Savitsky that suggests that Babel viewed his Jewishness as a source of shame. Instead of respecting the fact that the narrator can read and write, skills that were very rare, the Cossack leader mocks the narrator telling him that he would â€Å"get hacked to pieces just for wearing glasses†. And even when shown an obscene gesture by a young peasant the narrator still admires the face of the boy, futher emphasizing how unacceptable he is as a Jew. By accepting his inferiority the narrator further emphasizes his distain for identity. The obvious difference between the narrator and the commander that the author chooses to convey shows how the narrator, and to a certain extent the author, feels his â€Å"Jewishness† makes him inadequate compared to the Cossack soldiers. This paragraph seems a bit unfocused; see if you can pull out the two (? ) main threads and build separate paragraphs around each of them, with a clear, unifying topic sentence for each one) The narrator’s conflict with himself reaches a tipping point when he meets the old woman, and at this point he must make a choice to be an insider or outsider. This crucial decision characterized the reason for Babel’s short story, and he consciously choose to allow the narrator make the choice he did (sentence is awkwardly phrased). After settling down, the narrator begins to read, showing that he is still in touch with his intellectual and Jewish nature; however, he decides to stop reading when he encounters a old woman with glasses (this seems more summary than argument). The bespectacled old woman recognizes him as a Jewish â€Å"comrade† and seeks sympathy from her fellow Jew commenting that â€Å"this business makes me want to hang myself†. At this point the narrator and the author is (subject verb agreement; but also, is the author faced with a choice? faced with a choice: he could acknowledge the old woman as kin and defend his Jewish identity, or he could heed the advice of the quartermaster and â€Å"mess up a lady†. The narrator, and more importantly the author (why â€Å"more importantly the author†? ), decides to violate the only thing the old woman has left. This violation is symbolic: the narrator pushes the white neck of the goose into excrement and pierces the neck of the goose with the sword of another Cossack then forces the woman to cook the goose. With this act the narrator discards his Jewish identity, crushing it in dung, killing it with a borrowed sword. (Here, for example, is a possible place for a paragraph break; then start with a new topic sentence)And only after he has proven his masculinity is he accepted to eat with his new â€Å"brothers†. The narrators is offered a seat at the dinner table and given pork to eat, which he eats without question, with this communion his conversion by the â€Å"heathen priests† is complete. By having the narrator make this choice, Babel not only implies that he may have made the same decision, but also condones the idea of discarding the weakness and intellectualism associated with Jews in favor of violence and ignorance of the Cossacks (that’s a big claim to make—be careful about trying to read the author’s mind! ). At this point it seems that the narrator has completely discarded his Jewishness and embraces his new identity. After his communion with the Cossacks it seems (the repetition of â€Å"it seems† is wishy-washy and non-committal) that the narrator has completely left his identity behind, but it is soon evident that parts of him (wording) remain Jewish, remnants of his Jewishness that cannot be erased (awkward phrasing). Upon completing his violent and brutal killing, the narrator returns to his role as an intellectual and reads a speech given by Lenin to his new comrades. This shows that no matter how hard the narrator tries to escape his identity, he is still the feeble intellectual who has to borrow the sword of a Cossack to kill. The narrator is allowed to sleep with the Cossacks, (that citation doesn’t really add anything here) but even the warmth and camaraderie the narrator receives does not allow him to escape his actions. The last line reveals that a part of him will never be able to accept what he did to gain acceptance from the Cossacks. His heart â€Å"screeched and bled† from his denial of his Jewish identity. Killing the goose and eating pork directly violated his Jewish morals and although superficially he expressed no remorse, subconsciously he cannot accept the Cossack ways. This ambivalent attitude towards one’s identity characterizes Babel’s feelings towards his own attitude. In this story we see a narrator who struggles with the definition of self, and this struggle directly reflects Babel’s own struggles. (again, this paragraph seems to jump from point to point to much; make sure each paragraph is built around a unifying topic sentence; see if you can pull out two point from this one paragraph and bring them out more clearly by creating a separate paragraph for each one) In not only My First Goose, but in most of the short stories of Red Calvary the narrator struggles with his identity as a Jew. Although one cannot be sure what Babel attempts to convey in his pieces, it is clear that the narrators of Babel’s stories undergo the same mental turmoil Babel went through during his service in the Polish Soviet war (this last sentence doesn’t really work as a conclusion).

Basic Facts About Iron.

Basic Facts About Iron. Basic Facts About IronIron is one of the most widespread elements on the Earth. It makes up approximately 5 percent of the Earth's crust. Much of this iron is found in such small concentrations in other rocks, however, that it cannot be used economically for mining.The chemical element iron is the fourth most common element in the Earth's crust and the second most abundant metal. Its chemical symbol, Fe, is taken from the Latin word ferrum.Metal is chemically active and is found in nature combined with other elements in rocks and soils.In the Earth iron occurs mainly in iron-oxidu ores. One of these ores is lodestone, or magnetite, named for its property of magnetism. Iron, alloyed with nickel, is also found in meteorites.Physical and Chemical PropertiesIron, like other metals, conducts heat and electricity; it has a luster, and forms positive ions in its chemical reactions.Iron Ore Company of CanadaPure iron is fairly soft and can easily be shaped and formed when hot. Its color is s ilvery white. Iron is easily magnetized. When combined with small amounts of carbon, it becomes steel.The crystal structure and magnetism of iron undergo changes when it is heated. If an iron magnet is heated red hot, it loses its magnetism but regains it when it is cooled.Modern life depends greatly on iron, the most widely used of all metals. Iron, usually in the form of steel, is nearly always helping to do the job. The concrete in highways and in towering buildings needs steel for added strength. Transportation relies on the metal, whether in the form of an iron horseshoe or as a special steel alloy in a vehicle sent into outer space. A complete list of all the uses for iron and steel would seem endless, and new uses...

Pocahontas essays

Pocahontas essays The story of Pocahontas is well known, at least as it has been recorded by the Europeans. Many Indian nations including actual ancestors of the Powhatan tribe feel it is an inaccurate account of events. The Walt Disney Studios attempted to bring a story to the children of America. The objective was profit and entertainment so historical accuracy was overlooked. The 1995 Disney version of the story has dramatized the story of Pocahontas and John Smith. The writers and directors took obvious liberties and altered the story for the audience. The film directed by Mike Gabriel and Eric Goldberg seems to have held true in the overall European theory of the story. Basically, the daughter of a chief of a Native American Indian tribe fell in love with an English explorer and soldier and that romance affected the overall relationship and outcome of the meeting between the Native Indians and the English colonists of 16th century Walt Disney Studios used their creative animation techniques to present a story that seems as realistic as any full length motion picture. As is expected from the Disney Studio, there were many symbols and hidden meanings throughout the film which appeared to have been added to influence viewers. From talking trees to comic relief animals, the story is filled with various human, internal and external struggles that may have been wholly manifested by the writers and or directors of the film to show we can all live together in peace and harmony. Right from the beginning of the movie, Capt. John Smith is portrayed as a brave and heroic champion. In an early scene, the ship the colonists are crossing the ocean on is in the heart of a horrific storm. The captain is able to weather the situation better than all of the other sailors on the ship and continually moves through the storm as if he can fly. The focal point of the trip is when a sailor falls overboar...

Biography of Writer and Philosopher John Ruskin

Biography of Writer and Philosopher John Ruskin The prolific writings of John Ruskin (born February 8, 1819) changed what people thought about industrialization and ultimately influenced the Arts and Crafts Movement in Britain and the American Craftsman style in the US. Rebelling against Classical styles, Ruskin reawakened interest in heavy, elaborate Gothic architecture during the Victorian era. By criticizing the social ills resulting from the Industrial Revolution and disdaining anything machine-made, Ruskins writings paved the way for a return to craftsmanship and all things natural. In the US, Ruskins writings influenced architecture from coast to coast. Biography John Ruskin was born into a prosperous family in London, England, spending part of his childhood in the natural beauty of the Lake District region in northwest Britain. The contrast of urban and rural lifestyles and values informed his beliefs about Art, especially in painting and craftsmanship. Ruskin favored the natural, the hand-crafted, and the traditional. Like many British gentlemen, he was educated at Oxford, earning a MA degree in 1843 from Christ Church College. Ruskin traveled to France and Italy, where he sketched the romantic beauty of medieval architecture and sculpture. His essays published in Architectural Magazine in the 1930s (today published as The Poetry of Architecture, examine the composition of both cottage and villa architecture in England, France, Italy, and Switzerland.   In 1849, Ruskin traveled to Venice, Italy and studied Venetian Gothic architecture and its influence by the Byzantine. The rise and fall of Christianitys spiritual forces as reflected through Venices changing architectural styles impressed the enthusiastic and passionate writer. In 1851 Ruskins observations were published in the three-volume series, The Stones of Venice, but it was his 1849 book The Seven Lamps of Architecture that Ruskin awakened an interest in medieval Gothic architecture throughout England and America. Victorian Gothic Revival styles flourished between 1840 and 1880. By 1869, Ruskin was teaching Fine Arts at Oxford. One of his chief interests was the construction of the Oxford University Museum of Natural History (view image). Ruskin worked with the support of his old friend, Sir Henry Acland, then Regius Professor of Medicine, to bring his vision of Gothic beauty to this building. The museum remains one of the finest examples of Victorian Gothic Revival (or Neo-Gothic) style in Britain. Themes in the writings of John Ruskin were highly influential to works of other Brits, namely designer William Morris and architect Philip Webb, both considered pioneers of the Arts and Crafts Movement in Britain. To Morris and Webb, the return to Medieval Gothic architecture also meant a return to the guild model of craftsmanship, a tenet of the Arts and Crafts movement, which inspired the Craftsman cottage style home in America. Its said that the last decade of Ruskins life was difficult at best. Perhaps it was dementia or some other mental breakdown that disabled his thoughts, but he eventually retreated to his beloved Lake District, where he died January 20, 1900. Ruskins Influence on Art and Architecture Hes been called a weirdo and manic-depressive by British architect Hilary French, and a strange and unbalanced genius by Professor Talbot Hamlin. Yet his influence on art and architecture stays with us even today.  His workbook The Elements of Drawing remains a popular course of study. As one of the most important art critics of the Victorian era, Ruskin gained respectability by the Pre-Raphaelites, who rejected the classical approach to art and believed that paintings must be done from direct observation of nature. Through his writings, Ruskin promoted the Romantic painter J. M. W. Turner, rescuing Turner from obscurity. John Ruskin was a writer, critic, scientist, poet, artist, environmentalist, and philosopher. He rebelled against formal, classical art and architecture. Instead, he ushered in modernity by being a champion of the asymmetrical, rough architecture of medieval Europe. His passionate writings not only heralded Gothic Revival styles in Britain and America but also paved the way for the Arts Crafts Movement in Britain and the United States. Social critics like William Morris studied the writings of Ruskin and started a movement to oppose industrialization and reject the use of machine-made materials- in essence, rejecting the spoils of the Industrial Revolution.  American furniture-maker Gustav Stickley (1858-1942) brought the Movement to America in his own monthly magazine, The Craftsman, and in building his Craftsman Farms in New Jersey. Stickley turned the Arts and Crafts Movement into the Craftsman style.  American architect Frank Lloyd Wright turned it into his own Prairie Style . Two California brothers, Charles Sumner Greene and Henry Mather Greene, turned it into the California Bungalow with Japanese overtones. The influence behind all of these American styles can be traced back to the writings of John Ruskin. In the Words of John Ruskin We have thus, altogether, three great branches of architectural virtue, and we require of any building,- That it act well, and do the things it was intended to do in the best way.That it speak well, and say the things it was intended to say in the best words.That it look well, and please us by its presence, whatever it has to do or say. (The Virtues of Architecture, Stones of Venice, Volume I) Architecture is to be regarded by us with the most serious thought. We may live without her, and worship without her, but we cannot remember without her. (The Lamp of Memory, The Seven Lamps of Architecture) Learn More John Ruskins books are in the public domain and, so, are often available for free online. Ruskins works have been studied so often throughout the years that many of his writings are still available in print. The Seven Lamps of Architecture, 1849The Stones of Venice, 1851The Elements of Drawing, In Three Letters to Beginners, 1857Praeterita: Outlines of Scenes and Thoughts, Perhaps Worthy of Memory in My Past Life, 1885The Poetry of Architecture, essays from Architectural Magazine, 1837-1838John Ruskin: The Later Years by Tim Hilton, Yale University Press, 2000 Sources Architecture: A Crash Course by Hilary French, Watson-Guptill, 1998, p. 63.Architecture through the Ages by Talbot Hamlin, Putnam, Revised 1953, p. 586.

Legal memo see assignment criteria (uk civil law course) Essay

Legal memo see assignment criteria (uk civil law course) - Essay Example Brief Answer Yes, Mr. Kenobi is entitled to a fair royalty from Jedi and he also could seek a court injunction requiring his pictures to be removed from Jedi’s website until the royalty is received. Since i) Mr. Kenobi can prove that the pictures are his and ii) Jedi did digitally copy the pictures intentionally by deliberately uploading them onto Emperor’s server, this constitutes primary infringement. No, Mr. Kenobi is not entitled to any damages or royalties from Emperor. Since Empire is only providing a hosting service for Jedi’s website, Emperor did not directly nor intentionally copy the pictures, it simply received a copy of the pictures from Jedi through the rendering of a hosting service. This only constitutes secondary infringement and there was no intent to copy. Probably, Empire is liable to Jedi for the fair market value of the secret formula, unless specific damages had been outlined in the contract between them. Since Empire did not copy the inform ation directly, it does not constitute primary infringement. ... of their unregistered design right and could also seek a court injunction to not only prevent the further illegal use of their secret formula, but also have all products where their secret formula was illegally used recalled until the royalty is received. Statement of Facts This office is considering possible liability between Jedi, Emperor and Mr. Kenobi. Jedi has posted on its website (hosted by Empire) pictures reputed to belong to Mr. Kenobi. Despite Mr. Kenobi having threatened to sue both Jedi and Empire unless the pictures are removed, the pictures have remained on the website. This office is also considering possible liability between Emperor and Jedi. Although Jedi’s CEO had specified to Empire’s CEO that their data was sensitive, Mr. Maul and his team have incorrectly configured security permissions, resulting in 27 other Empire customers gaining access to data in Jedi’s account, including Jedi’s secret formula for their Light Saber Ultra-Pro sho es. This formula has been published shortly after on over 5,000 websites, and Jedi’s competitors have already begun manufacturing shoes using Jedi’s secret formula. Discussion It is unlikely that Mr. Kenobi will be awarded any damages, royalties or other compensation from Empire. Indeed, in order for such an award to be made, it must be established that i) Mr. Kenobi is the rightful owner of the rights to the pictures and that ii) the pictures have been copied by Empire without Mr. Kenobi’s permission or consent. While it is claimed that Mr. Kenobi can prove that the pictures are his, since Empire has also been involved in an involuntary breach of confidentiality regarding sensitive data belonging to Jedi (who uploaded the pictures), this raises the question of the legitimacy of Mr. Kenobi’s claim: are

Case St. Marks Hospital and Oscar Yanez Study Example | Topics and Well Written Essays - 750 words - 1

St. Marks Hospital and Oscar Yanez - Case Study Example The researcher states that the healthcare providers in the hospital have to live with the fact that they did not do as their mission statement stated that they would do as they were busy thinking of ways of saving their income. Although this kind of operation is meant to help the larger community get better basic healthcare services, mismanaging one of their patients does not justify their seemingly good intentions. In any case, the hospital’s mission does state that it will provide the best healthcare services to everyone. It does not single out the uninsured and unregistered immigrants as undeserving of quality medical care. Furthermore, in its bid to help Oscar get repatriated back to Mexico, the hospital failed to consider the welfare of the family considering that Oscar is the family’s sole breadwinner. Even though the hospital cares to ensure that Oscar is discharged without being submitted to immigration authorities, it is clear that the rest of the familyâ€℠¢s welfare is not taken into account. Therefore, the way Oscar was treated was hardly ethical. Once again considering the mission of the hospital, it is beyond doubt that its actions regarding the priorities it has set highly are clearly against its mission statement. The hospital mission states that the organization will provide quality and emergency care to all patients. Ignoring the care of patients in need of emergency care or making this objective secondary to the provision of services such as immunizations, prenatal care, and other community programs clearly goes against ethics and the hospital’s mission. The hospital is a legal organization has the responsibility to report the existence or presence of illegal immigrants to appropriate authorities. In this case, the hospital is legally required was supposed to report Oscar’s presence as an undocumented immigrant to immigration authorities.

Q1. Google. What makes Google a great company to work for In Essay

Q1. Google. What makes Google a great company to work for In particular, explore the nature and impact that the company's HR - Essay Example To make the ‘different’ employees coordinate and cooperate, a common and effective organizational culture has to be actualized by the organization in line with effective HR policies. When such a culture is implemented, the employees’ mind will become more focused on the targets and tasks, and their motivational levels will get elevated. With highly motivated mind, the employees could contribute maximally to organization’s functioning, resulting in success. When success is achieved, the employees will be aptly rewarded, and these rewards and the success, will make the employees build a psychological contract with their employers. So, this paper will discuss how Google with its effective HR policies is able to positively impact its organizational culture, leading to better motivation and psychological contract, thereby making Google a great company to work for. Background In today’s internet savvy world, Google has become one of the best known brands, making its ‘presence’ or virtual presence in maximal parts of the world. Established by Larry Paige and Sergey Brin in 1998, Google, apart from having physical infrastructures of over one million servers, also has offices world over employing around 25,000 employees. The way, Google provides an optimal working environment for these employees or Googlers (as the Google employees call themselves) only makes them a dream company to work for. Google tops the list of various yearly surveys conducted by prestigious agencies to find the companies that are great places to work for employees. Right from the early days, its founders Larry and Sergey were clear cut that the working environment that will be visible in Google will not be the conventional one. This can be clearly seen in the way, they advertise to prospective employees, â€Å"Google is not a conventional company, and we don’t intend to become one. True, we share attributes with the world’s most success ful organizations – a focus on innovation and smart business practices comes to mind – but even as we continue to grow, we’re committed to retaining a small-company feel.† (google.com). This wish to maintain a non-conventional and small company feel has made Google to implement an organizational culture and its related HR practices, which not only motivates the current employees, but also evokes the interest of maximum number of prospective employees. â€Å"Google is attractive to prospective workers. Worldwide, 760,000 individuals applied for just 3,000 positions in 2006. The firm receives approximately 1,300 resumes per day.† (Griffin and Moorhead 2009, p.218). As mentioned above, Google tops the list of various surveys for the best employers including Fortune magazine's list of great companies to work for, having ranked in the top five for the past four years. Importantly, revenue wise, Google has been showing tremendous growth garnering revenues close to 30 billion dollars, with profits itself is in the range of 8 billion. (U.S. Securities and Exchange Commission 2010). Its’ share price has always been on the upswing. All this financial growth has been achieved within 12 years of its inception, with employees being one of the main beneficiaries in the form of sizable financial rewards and other incentives. This raises the question, whether Google is a great place to

The Anti Fedralist Papers vs The Federalist Papers Essay

The Anti Fedralist Papers vs The Federalist Papers - Essay Example The term, Anti-federalists, catches both a connection to certain political standards and additionally remaining in favor and against patterns that were showing up in late eighteenth-century America. It will help in our understanding of who the Anti-federalists were to realize that in 1787, the saying "elected" had two implications. One was all inclusive or situated on a fundamental level and alternate was specific and particular to the American circumstance. The vital contentions energetic about it were expressed in the arrangement composed by Madison, as well as Jay as per the Federalist Papers, in spite of the fact that they were not as broadly perused as various autonomous nearby discourses and articles. The contentions against sanction showed up in different structures, by different creators, the vast majority of who utilized a pen name. Aggregately, these works for several years have been known as the Anti-Federalist Papers. The most paramount approach to peruse the professional and hostile to federalist papers is as a verbal confrontation on how the procurements of the Constitution might be translated, or "built". Those contradicting endorsement, or at any rate raising questions about it, were less contending against the sanction or something to that effect of elected constitution, as against sweeping development of procurements assigning forces to the national government, and the reactions from ace generally comprised of affirmations that the assignments of force might be developed strictly and barely. Subsequently, to win the backing of their adversaries, the star ratificationists basically needed to agree to a convention of elucidation that must be viewed as a piece of the Constitution, and that along these lines must be the support for translation today.  

Argument Analysis Advertising Assignment Example | Topics and Well Written Essays - 750 words

Argument Analysis Advertising - Assignment Example Yet the notion of advertisement in persuading the consumers remains the same. Over the last 10 years the advertisement media have developed immensely principally led by the digital media revolution (Kelley & Jugenheimer, 7). The paper will seek to analyze the reason behind the changing structure of advertisement with logical underpinnings. The backdrop will be online advertising. 2. Online advertisement- A dominating business Online advertising in the present world has become one of the most significant businesses generating huge revenues related to the web based businesses. The development of the websites at very cost effective structure has led the smaller web sites like that of the blog sites earn huge revenue. The online internet marketing forms the nucleus of the estimated aggregate e-commerce economy worth $34 billion. In the year 2008, online advertising in the United States of America accounted for around 8.8 percent of all forms of advertising. The potential of the online ad vertising is also boosting as per the estimates of the market analysts (Evans, 2). 2.1 Supply side analysis The suppliers get the ease in carving out a niche in their business by driving consumers directly to the sites which is basically a large platform where the consumers can explore the varieties of goods and services and purchase them by making few mouse clicks. The cost of advertising is highly minimized in this case. The enhanced technologies lead the suppliers in executing efficient business operations matching the exact needs of the customers. The networking chains also get amplified in the online advertisement. As an instance it can be said that if a person has visited an organization’s website and possess interest in the industry then they can recommend it to other people interested in business which is an example of precision marketing. Online marketing also comes with much lower risks as with the development of the technology it helps the entrepreneurs in judging properly the status of the business and making cost benefit analysis (Mapping the Display landscape, 8). There are many other supply side causes that led to the rapid development of online advertising but the scope of discussion is limited and hence the relevant ones are elucidated. 2.2 Demand side analysis The consumers can shop their favorite stuffs sitting in the comfort of the room at the expense of just a few clicks and they possess greater control over the content they view on the website as compared to traditional media like television. Majority of the online advertising inventory possess a real time and customized platform for the particular viewer (Evans, 2). As compared to the traditional advertising, the consumers are no longer just receivers at one end of the communication but also actively take part in the marketing process with the inclusion in the development as well as that of the distribution of the advertisements. The consumers collaborate in the structuring of mar keting and develop a more efficient personal relationship with the companies (Liu, 5). The online advertising allows the economy for the reduction of the amount of resources which are allocated in developing content for the purpose of

Explain in scholarly detail how important is the MANAGEMENT FUNCTION- Essay

Explain in scholarly detail how important is the MANAGEMENT FUNCTION- to individuals and to society - Essay Example Having determined the cause-effect relationship between the success of a company and the society, importance of the role of a manager in making both successful can be assessed. A company achieves its goals through the efficiency of a manager. The manager makes use of four fundamental functions to make this happen, namely planning, organizing, leading and controlling. â€Å"A firm with excellent goals could still fail miserably by being inefficient, meaning that the company hired the wrong people, lost key contributors, relied on outdated technology, and made poor investment decisions† (Certo and Certo, 2008). That is why managers serve as the drivers of success because they plan the way projects would be executed, they recruit people, they assign workers their roles and responsibilities and supervise them with a view to ensuring that they are on the right track and giving their best. So management function is extremely important to both the individuals and the

Argument Analysis Advertising Assignment Example | Topics and Well Written Essays - 750 words

Argument Analysis Advertising - Assignment Example Yet the notion of advertisement in persuading the consumers remains the same. Over the last 10 years the advertisement media have developed immensely principally led by the digital media revolution (Kelley & Jugenheimer, 7). The paper will seek to analyze the reason behind the changing structure of advertisement with logical underpinnings. The backdrop will be online advertising. 2. Online advertisement- A dominating business Online advertising in the present world has become one of the most significant businesses generating huge revenues related to the web based businesses. The development of the websites at very cost effective structure has led the smaller web sites like that of the blog sites earn huge revenue. The online internet marketing forms the nucleus of the estimated aggregate e-commerce economy worth $34 billion. In the year 2008, online advertising in the United States of America accounted for around 8.8 percent of all forms of advertising. The potential of the online ad vertising is also boosting as per the estimates of the market analysts (Evans, 2). 2.1 Supply side analysis The suppliers get the ease in carving out a niche in their business by driving consumers directly to the sites which is basically a large platform where the consumers can explore the varieties of goods and services and purchase them by making few mouse clicks. The cost of advertising is highly minimized in this case. The enhanced technologies lead the suppliers in executing efficient business operations matching the exact needs of the customers. The networking chains also get amplified in the online advertisement. As an instance it can be said that if a person has visited an organization’s website and possess interest in the industry then they can recommend it to other people interested in business which is an example of precision marketing. Online marketing also comes with much lower risks as with the development of the technology it helps the entrepreneurs in judging properly the status of the business and making cost benefit analysis (Mapping the Display landscape, 8). There are many other supply side causes that led to the rapid development of online advertising but the scope of discussion is limited and hence the relevant ones are elucidated. 2.2 Demand side analysis The consumers can shop their favorite stuffs sitting in the comfort of the room at the expense of just a few clicks and they possess greater control over the content they view on the website as compared to traditional media like television. Majority of the online advertising inventory possess a real time and customized platform for the particular viewer (Evans, 2). As compared to the traditional advertising, the consumers are no longer just receivers at one end of the communication but also actively take part in the marketing process with the inclusion in the development as well as that of the distribution of the advertisements. The consumers collaborate in the structuring of mar keting and develop a more efficient personal relationship with the companies (Liu, 5). The online advertising allows the economy for the reduction of the amount of resources which are allocated in developing content for the purpose of

Personal Learning Managemet Essay Example for Free

Personal Learning Managemet Essay Abstract Kindler, E.; Krivy, I. (2011). Object-Oriented Simulation of systems with sophisticated control. International Journal of General Systems. pp. 313–343 Haas, J. (n.d.). Modular programming. Retrieved from http://www.about.com Personal Learning Management As course assignments, assigned reading, assigned and interest-based research, and other learning activities are completed, the learner may recognize the economic value of what has been learned. Knowledge gained through learning can be forgotten if concepts are not reviewed on a regular basis. It is possible to design an application to record high economic value learning tasks and insights that will allow for periodic review. This application will help solve the issue of knowledge being forgotten by allowing the information and concepts to be kept in front of the individual for regular review. The application that must be programmed will be a simple user friendly app that will allow the user to see and record progress over a given class which will give the user the ability to not only see what has been done but to have it brought back to the forefront of what they already went over in course assignments, reading and researches for a particular class. So in essence the program will help each student record each task and can, ever so many days allow the student to review what they covered and done to keep the information fresh. The information that we will be recording is assignments for the course, any assigned reading for the course, research both assigned and interest-based, and other learning activities. By getting this information from the user the program will store this information and recall it to the user on a time and scheduled output as well as show what still needs to be done in the course. The first step in creating such a program is that we need to identify the desired results we are looking for in this program which is to help the user retain course information by helping them review the material often. Next we will design the program and this will start by having the program gather the information required from the user and how often the user wants this information brought back up either every week or every 3 days. This step will be more complex as the developing of the application continues. Once we have step-by-step for designing the program to solve the problem stated in the beginning we will began to code the program. This is when we decide which programming language we will use such as C#, C ++ and more to deliver the best solution. After we program the application we will test the program to ensure that it is free of errors and that it does indeed solve the given problem. This is known as the programming development cycle which means at any given point in this cycle we may have revisit a particular step to ensure that we get the results that we need. This program will be developed as an object-oriented approach which is according to Kindler, E.; Krivy, I. (2011) â€Å"a programming paradigm that represents concepts as â€Å"objects† that have data fields (attributes that describe the object) and associated procedures known as methods. Objects, which are usually instances of classes, are used to interact with one another to design applications and computer programs.† We are taking this approach with a modular approach due to the complexity of the program and want to make many objects that will have methods and classes with in the object. We fill this is the best way to approach the problem with various strings and arrays so that our coding will not be confusing and easy to troubleshoot should we run into any issues. Modular programming emphasizes separating the functionality of a program into independent, interchangeable modules, such that each contains everything necessary to execute only one aspect of the desired functionality. (Haas, n.d.) This will improve maintainability by enforcing logical boundaries between components. The modular design will allow us to build into one executable file per module which also allows us to reduce the size of future patches for only the module that needs it. In conclusion we have discussed the problem of users forgetting knowledge gained through learning and will be creating a program that will keep the information fresh and allow periodic review of course assignments, assigned reading, assigned and interest-based research, and other learning activities. Our approach and the necessary steps outlined until the final test has been done and the application is functional.

Collective Selection Theory and Class Differentiation

Collective Selection Theory and Class Differentiation Selection argues that fashion as a force in culture, collective selection substitutes class differentiation as a motive for its dynamic change. The elites (buyers and designers) are the ones that move but do not affect the fashion system thus causing collective selection. This occurs because buyers and designers are intertwined in a mesh of a uniform culture where they read the same trends and have the kind of influences to each other. The collective selection forms part of a new movement towards newer tastes with driving forces of fashion being historical continuity (newer fashions arising from older ones), modernity, collective taste from social interaction and finally psychological motives which Blumer (1969) acknowledges but does not favour. From his examination, he observes fashion as a central force that affects cultural sociology. His form of fashion is semi-autonomous which responds to but it is not influenced by opinions and taste of elites. This was a first attempt by socio logists to take the topic of fashion seriously. Georg Simmel in his 1904s class analysis of fashion had given a casual examination of the topic. Introduction Fashion is among the most creative and important industry in the world.  Everyone participates in development of the fashion industry to a certain degree. Fashion is a subject that periodically rediscovers itself and it is fascinating in its dynamics of humanities and social sciences. Social thinkers over time have treated the fashion industry as a window for social change and social class. Fashion has been viewed to embody characteristics representing modernity and culture. Some sociologists argue that it is hard to fathom a social life be it in arts, sciences, politics, entertainment, academia, business, law or morality without exhibiting elements of fashion in one way or another. Society tend to flock to styles, ideas, methods and practices that appear new and exciting to them, and after a period of time, the intensity of the fascination diminishes when newer ones emerge. The need and desire to be in fashion is manifested mostly in dressing. This is characterized by a pull of th e societys or inividuals continuity and the also the push to adopt new innovations. A cultural analysis of fashion is essential in understanding the dynamic shift in trends over time. Unlike the trickle down theory by Georg Simmel in 1904 which did not observe fashion first-hand, the Blumers collective selection theory gives attention to the whole process of meaning to society with focus on practices that are contemporary. An observation is made from the above two theories that fashion setters are the ones who mainly benefit from the intertwined relationship whereas followers benefit a little bit. Blumer asks fellow sociologists to take seriously the topic of fashion. He argues that this is so because fashion is more than clothing. Fashion is natural as it did not appear to society that in history as fashion but achievements that were up-to-date. He further states that fashion is important socially because where it operates be it in philosophy, business or science, it assumes a central position. Blumer asserts that fashion is a behavior that is rational. Fashion has its respectability because people respond to its character that is of distinction and propriety. Simmels (1957) view of fashion as style in his trickle-down theory provided insights such as the relevance of prestige in fashion operation and the proper identification of the realm of fashion as a form of change which is natural as opposed to aberrant. This analysis however falls short of catching the real position of fashion as a wider social happening. Simmel adds that fashion is taken up by social elites for the reason of classifying themselves from the other lower class. The lower group or class adopts the style of the upper group. When new fashions emerge, the upper class shifts to flee from their counterparts hence causing a continuous trickle-down effect characterized by the need for the upper class to distinguish themselves. In a nutshell, fashion is influenced by need for social stratification and social mobility. Though there has been wide criticism of the social class theory as being simplistic and also one-dimensional, it has had broad influence on todays fashion becaus e observation of fashion trends of many consumers show that high status people and the wealthy set the trend in fashion. For instance fashion magazines show images of items that are highly priced and outside the reach of lower class group, this cause a drive for the ordinary group to imitate and emulate the rich. However, it is not the wealth and prestige of the elite that makes the very design fashionable, but it is the designs potential fashionableness that allows the elites prestige to be attached. This is possible because the elite, rather than set the trends/fashion, they struggle and strive to follow its direction. This is based on the fact that people will consume fashion but not because of their wealth or prestige of their social class but just to show fashionability. Moreover, the elite have to make a decision of choosing between competing trends in fashion and that the choice they make is not always dependent on prestige of the innovator of the same fashion. In addition, c lass structure of the 20th century was different from the subsequent centuries. The contemporary societys class has a diversified structure and puts emphasis on fashion modernity. Zeitgeist theory Blumer (1969) expands on the views of Simmel by outlining all the societal conditions of fashion appearance because fashion emanates from societies. On the theory advanced by Herbert Blumer, fashion comes from a process that is collective where people adopt collective tastes expressed in trends in fashion. The driving force of fashion is not always imitation of the higher class people per se, rather they follow trends in fashion because of their desire to be fashionable. Consumers make a choice among various options available in the fashion market. People think of choices of their fashion as personal style and expressing individuality. As the selection goes on at individual level, it also occurs in aggregation into tastes that are collective. As selection and aggregation process in fashion goes on, a zeitgeist theory of trend is reflected. Individual choices in fashion spark a movement which has collective character implications on society. For example a style observed by a public figure may manifest the zeitgeist trend. The theory is a critique of the trickle-down effect of imitation of people of high status. The theory views fashion and trend as a collective or aggregation of choices of individuals in the society. It emphasizes not imitation or copying, but the desire by an individual to be fashionable. For instance, the desire to be in fashion does not necessarily mean emulation of values, lifestyle, or status of the group that sported the style first. Such individuals may opt to be in a collective moment which does not require imitation of what others are wearing. A status theory in trends might suggest that joining a trend is copying. Moreover, fashion rises as emulation then follows by a decline when early adopters try to stratify themselves from the masses by adopting new style. It then follows that, if one tries to equate joining a trend with copying, then the conclusion is that copying is a driving force for fashion. However, the trickle-down effect or status theory does not completely exhaust all the motivations for trends in fashion. According to the zeitgeist theory, imitation of elites and copying does not completely define fashion. Therefore, the theory disaggregates fashion from copying and that it moves not because the market is saturated with copies. In a nutshell, copying in fashion change may play a small role but it is not the engine without which the industrys innovation would stagnate. Social construction element of fashion in a society Blumer argues that fashion as a form of change is not linked to any field arbitrarily but it may affect or influence the content of that particular field which it operates. Fashion is the linkage to the past, the present and the future of the followers of fashion. Blumer (1969) gives six features which are basics of fashion which underline the function played by time in the whole fashion process. First is the readiness and willingness to change particularly in the area and the people through their practices, beliefs, attachments and they must also be ready to accept new forms of social order which thrusts them into the right direction in the future. The assumption and presupposition is that the area of fashion change is in passage, it will responding to changes around it and it is geared towards remaining abreast of current and new developments. Secondly, new proposals or models compete for them to be adopted and embraced. The models for adoption should be diverse by covering a range of viewpoints, themes, doctrines, practices, lines of preoccupation and artifacts use. Thirdly, there has to be relatively free room or opportunity for making a choice between the proposals or models. Fourthly, the selection should be made based on response to the interplay or incipient taste rather than rational considerations, merit or utility. This brings the difficulty of determination of merits because the guiding principles of fashion are not utilitarian or considerations that are rational. Fifthly, is the topic of presence of figures who are prestige and who espouse upon themselves the competing proposals. Blumer (1969) adds that what is perceived to be up to date is better than mere promotion of trends in fashion of certain figure that is prestigious (actor, organization, individual). The sixth element or feature is the area of applicability of the fashion. It should be open to emerging new interests in response to effects of outside situation/events, new participants being introduced in the fashion area and shift social interactions. Blumer argues that a course of fashion development must be present so that a given model is solidified and socially lifted which is important for a certain time frame (Blumer, 1969: 288). According to Meyer and Rowan (1977) as fashion comes and goes within the context of institutional environment, as long as they are accepted and institutionalized as standards in behavior, they can be regarded as institutions. A critique of fashion mechanism features Viewing fashion mechanism from the perspective of a continuing process of fashion that is of collective selection in a competitive model brings a different picture of social analysis. The elites in fashion form part of a collective process which responds to a shift in sensitivity and taste. Features such as historical continuity, modernity, collective taste and psychological motives which affect fashion mechanisms are discussed below. Historical continuity Fashion grows out of predecessors. The innovators of fashion always consider prevailing fashion for purposes of embracing, elaborating or departing from it. A continuity line is thus formed which typically has a trend. This continuity means that no extreme change occurs. On the other hand Blumer calls the popular adornments which lack successor as fads. Modernity Blumer refers to modernity as zeitgeist. Fashion is modern and seeks to remain abreast of modern times. Fashion is always sensitive to changes in developments. Fashion becomes responsible and responsive to trend, to developments in ornamentation, fabrics, and fine arts. Collective taste Collective taste is a force that ensures a process which selects, sets limits and provides guidance and also undergoes refinement through attachment to social forms. Taste is tri-fold in nature. It operates like a selector by giving basis for rejection or acceptance. It is also an agent which guides the growth of action lines and by shaping objects for the purposes of meeting demand. Fashion change occurs frequently in societies where there is more interaction between people and where the newness of the change is most valued rather than feared. Fashion is also not individual but social in nature. Psychological Motives Earlier scholars have traced fashion to be desires for notoriety and personal prestige. For instance, some define it as the effort towards increasing the self attractiveness under conditions that impair ones integrity of the ego. According to Blumer (1969), such explanations are shallow as they singly or either collectively, has been unable to account for trends in fashion because they do not show how the different feelings lead to fashion process. The definitions fail show fashion as a collective selection process as it is. In summary, there are many factors influencing fashion change. Fashion change is selected collectively through interplay between public taste that is dynamic and desire by the elite group to shape modernity which is part of the public. Fashion, according to Blumer (1969) appears as a collective class or grouping for the near future than a movement that is laid down by the prestige figures. Conclusion Blumers (1969) analysis of fashion as being social rather than individual in nature is a holistic attempt by a sociologist to explain the topic. Blumer (1969) concludes that fashion helps individuals and society in general to deal with the dynamics and potential complexities of modern world. Through the process of collective selection, social order is achieved. Fashion brings into fore a measure of uniformity and unanimity in a market that would have been fragmented. It introduces some order in the present. It does so by establishing a model that limits variability hence ensuring uniformity. Secondly, fashion serves at detaching the grip of past events in a dynamic world. This calls for option to move towards new directions hence it cannot be referred to as old-fashioned or out-of-date. Finally fashion operates as preparation that is orderly to the future. It offers elites the chance to give their models and at the same time adopts the ones that withstand collective selection. The ab ove three ways help society move in a unified and orderly manner. Fashion should be viewed as a pivotal mechanism which informs social order in a modernized society. Sociologists should strive to analysis fashion without irrationality and inconsequential behavior.

90s :: essays research papers

Music in the nineties can be simply described as diverse. Diverse meaning that music has been segregated into hundreds of groups. This report will refer in detail to three genres of music: Alternative Country, Rap, Alternative Rock. It will also cover certain aspects indicative of the 90's. Alternative Country Music In 1990, a band called Uncle Tupelo from Belleville, Illinois, released their debut album. Titled No Depression, it featured a rough mixture of punk-rock songs, but it also added something different: several toned-down, acoustic ballads that had a distinct country flavor. A few years later, that simple little song and album title became the name of an internet fan club and chat group. It didn't stop there, in 1995, a magazine of the same name went into publication, and "No Depression" soon became the leading title for a progressive alternative country movement. Other names include "insurgent country" "Americana," or simply "alt.country," the latter is a reminder of the role the internet has played in the growth and publicity of this movement. For the most part, No Depression or alt.country bands aren't much of a threat to the sales figures of mainstream Nashville country artists. But the speed with which this music has caught on has shown that a substantial number of people have grown weary of the overproduced pop trends of 1990's mainstream country music, and the limited range of styles and sounds that are typically played on country radio stations. Rap Music Rap of the late 70's and 80's, commonly called "old school", was made by DJs scratching records and playing drum loops, with MCs rapping over the resulting rhythms. As the genre progressed, hard-rock guitars and hard-hitting beats were introduced by Run-D.M.C., the first hardcore rap group, and the scratching techniques were replaced by sampling. With their dense collages of samples, beats and white noise, Public Enemy took sampling to the extreme, and they helped introduce a social and political conscience to rap. This faded in the '90s, as gangsta rap, originally introduced by NWA, who used Public Enemy's sound as a template, became the dominant form. By the '90s, gangsta rap, which originally was in direct opposition to such pop-oriented rappers as MC Hammer, had become smoothed over and stylish, and consequently was more popular than ever, as evidenced by the success of pop-gangsta Puff Daddy in the late 90's. Alternative Rock Music Alternative pop/rock is essentially a catch-all term for post-punk bands from the mid-'80s to the mid-'90s. Though there is a variety of musical styles within alternative rock, they are all tied together since they originally existed outside of the mainstream.

Man vs. Woman in A Streetcar Named Desire :: Tennessee Williams, A Streetcar Named Desire

During the time period Tennessee Williams, author of the play A Streetcar Named Desire, lived in, men were typically portrayed as leaders of the household. Through Williams' usage of dialogue, specific descriptions of each characters, as well as sound, he illustrates to readers of today's society how differently a man and woman coexisted in the mid-1900s, compared to today. Through the eyes of a topical/historical theorist, who stresses the relationships between the story and the time period it takes place, the distinction between today's society and that of five decades past, can be observed with depth and precision. Â   Stanley Kowalski, a main character in A Streetcar Named Desire, is a common man who is simple, straight forward and brutally honest. He treats his wife with no respect, for she does not deserve it because she is a woman. To him, her duties are to obey his commands and tolerate his intolerable actions. If she chooses to disobey or challenge his orders, it is then his duty to abuse her physically if he deems it necessary. He insincerely apologizes for it afterwards, and expects his wife to learn from her mistakes and to continue with her duties as though he did nothing wrong. During this time period, domestic violence is not uncommon and is widely accepted as a means in obtaining a desired behavior from one's wife. Stanley is clearly aware of this. Â   After an attack, his wife states to her sister, "He was as good as a lamb when I came back and he's really very, very ashamed of himself (Williams, 2309). Due to human nature, he does show that he feels sorry for his wife, in order to make sure she doesn't get any ideas to leave. Stanley is unaware of this, but the fact that he fears his wife's departure is an insecurity we will never admit to (psychological/psychoanalytic approach). Â   Stella, Stanley's wife in the play, is a passive woman. She is displayed this way through how she responds to the people and situations around her. When she is beaten by Stanley, she understands that his drunkenness takes hold of him and he has no control over his actions. She knows he never means her harm and his intentions are good.

How significant is the theme of loneliness in Of Mice and Men? Essay

Loneliness is a state of detachment, separation, and isolation and a feeling of being friendless and forlorn. The book Of Mice and Men by John Steinbeck picks up this feeling as one of it’s main themes. Several characters from the novel either isolate themselves or are being isolated. The main characters George and Lennie on the other hand have a strong relationship and many others envy them for this but even those two find themselves confronted with loneliness in some way. The two protagonists George and Lennie have a special kind of relationship and this makes them stand out from the others. Many of the other characters are very lonely and even Slim, the most popular worker on the farm, how special and rare George and Lennie’s relationship is. By sharing a dream together they relieve themselves of their loneliness. Both are in some way dependant on each other and that is exactly what many others search for. Crooks comments on his own loneliness by saying that â€Å"a guy goes nuts if he ain’t got nobody†. Candy and Crooks are two characters, who are excluded because of physical features and they both admire George and Lennie’s friendship. Candy is an old man who lost a hand during his work on the farm. He feels he is excluded from the others and very much holds on too his old dog. After this dog is shot he looses an important part of his life. One could draw some kind of comparison between the relationship of Candy and his dog and George and Lennie. Both of these two have a similar kind of dependency on each other and without each other they no longer have someone or something to look out for. So after Candy has lost his dog he offers George and Lennie his money in order for them to allow him to join them in their dream. This shows how little all of his savings mean to him if he can have just someone around him. Not only Candy though shows his loneliness and has suffered from it. Crooks, the black stable-buck, shares a similar fate to the old Candy. At the time the novel takes place black people were looked down upon and excluded. Crooks clearly suffers under this and although he initially displays aggressiveness, the reader can still sympathize with him because it is rather clear that this origins from his isolation and loneliness. When Lennie enters his bunk house he at first tries to throw him out but then decides to tease Lennie by asking him what would happen when George wouldn’t return. This displays Crook’s curiosity for the type of bond that exists between George and Lennie. Even though he does not believe George’s and Lennie’s dream will ever come true and even though he at first seems rather rejective towards the other characters he decides to ask whether he can join them. Demonstrating his strong longing for companionship. One more character though experiences loneliness even though it is not for the same reasons as for Crooks and Candy. Curley’s wife is excluded for different than Candy and Crooks but experiences the same kind of injustice. As she mentions, she is not very happy with her husband Curley. Therefore she flirts with the other men one the ranch but they try to keep away from her. They are afraid of getting in trouble with Curley and therefore she very much is isolated from everyone on the ranch. In Lennie she finds someone she can tell her feelings to because he cannot care any less about it and does not understand the reasons for her being isolated. This is her downfall but in someway frees both of them from their curse. Curley’s wife dies even though she is married in loneliness. Lennie would without George have no chance in the hard life of that time. In George Lennie not only found a protector but also someone to relieve him from his doom of being lonely. The other men left on the farm are all in some way lonely. Even though they keep contact they do not have anyone to look after or to take care of. Exactly that is where George and Lennie differentiate themselves from the others. All characters in the novel, besides George and Lennie, are in some way lonely, whether it is because some physical feature, their age, their sex or simply because of the circumstances of the time. They all had lost their goals on the way and therefore the connection to the people around them. George and Lennie on the other hand have a bond that connects them on two levels first of all the dependency on each other and second of all their shared dream.